(Credit Card Destroying Machine, 2010 by Michael Landy. Thomas Dane Gallery)


This year’s Frieze is inevitably influenced by the current economic marass. Although contemporary art market recuperated rather well after the 2008 crisis, the new recession makes collectors and dealers not really at their ease. Did some artists take this as an inspiration?


(Credit Card Offering, 2011 by Danny McDonald. Galerie Isabella Bortolozza)



(Untitled, 2008 by Rirkrit Tiravanija. Gavin Brown Enterprise)


(A Seed Is Still A Stone Until it Is Sown, 2010 by Martin Westwood. The Approach)